Name: Science of Draw Poker
Price: 2250
Availability: InStock
Author: CURTIS David A.

Science of Draw Poker

David A. CURTIS

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Item#: 83139 price:$2,250.00

SCARCE FIRST EDITION OF THE SCIENCE OF DRAW POKER, 1901

CURTIS, David A. The Science of Draw Poker. (New York: David A. Curtis, 1901). Octavo, original red cloth. $2250.

First edition of this turn of the century guide to understanding, playing, and winning at poker.

Written by an early poker great, this work deals with all aspects of poker, from basic rules, to calculating the chances of winning, to winning through strategic play. Also included is a glossary of poker terms, intended for both the novice player and the expert. Powell 408. Jessel 349. Very occasional notes and underlining, much of it in pencil.

A few tiny marginal tears and spots of soiling to interior, inner paper hinges expertly reinforced, only most minor wear and soiling to original cloth, toning to spine. A near-fine copy. Scarce.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
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Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
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Engraving Illustration produced by carving lines into a metal plate. This is an intaglio process, in which ink is poured over the plate, then wiped from the surface, leaving ink only in the recesses made by the engraver’s tools. The image is then transferred by pressing thick dampened paper against the metal plate with great force—requiring engravings to be printed on a separate stock and separate press from any text.
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Marginalia Handwritten notes made in the margins by a previous owner.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
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