Bronx Zoo - First Edition - Signed - Peter Golenbock - Bauman Rare Books

Bronx Zoo

Peter GOLENBOCK | Albert Walter ("Sparky") LYLE

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Item#: 128326 price:$4,500.00

Bronx Zoo

Bronx Zoo

SPARKY LYLE’S BRONX ZOO, SIGNED BY HIM AND 34 OTHER YANKEES, INCLUDING YOGI BERRA, REGGIE JACKSON, BILLY MARTIN, WILLIE RANDOLPH, BUCKY DENT, LOU PINIELLA, CATFISH HUNTER, RON GUIDRY, GOOSE GOSSAGE, BOB LEMON, AND CHRIS CHAMBLISS

LYLE, Albert Walter ("Sparky"), and GOLENBOCK, Peter. Bronx Zoo. New York: Crown, (1979). Tall octavo, original black cloth, original dust jacket. $4500.

First edition of this bristling inside account of the Yankees during the Reggie Jackson-Billy Martin-George Steinbrenner years by pitcher Sparky Lyle, signed by him and 34 other players and coaches, including Yogi Berra, Reggie Jackson, Billy Martin, Willie Randolph, Bucky Dent, Lou Piniella, Catfish Hunter, Ron Guidry, Goose Gossage, Bob Lemon, And Chris Chambliss.

When Cy-Young-Award-winning Lyle was replaced in the bullpen by Goose Gossage in 1978, Graig Nettles described Sparky's year as going "from Cy Young to 'Sayonara." Amid divisive animosities and oppressive pressure, "baseball's celebrated and irreverent relief pitcher (235 career "saves") takes you inside the Yankee clubhouse as only he can. You emerge with insights into each of his teammates, and into the game of baseball in the free-agent era. Baseball will never seem the same again." Signers include Sparky Lyle, Chris Chambliss, Willie Randolph, Bucky Dent, Graig Nettles, Lou Pinella, Reggie Jackson, Mickey Rivers, Catfish Hunter, Ron Guidry, Ed Figueroa, Goose Gossage, Dick Tidrow, Brian Doyle, Billy Martin, Cliff Johnson, Ken Clay, Mickey Klutz, Roy White, Fred Stanley, Jim Beattie, Jim Spencer, Rawly Eastwick, Don Gullett, Mike Heath, Paul Blair, Jay Johnstone, Gary Thomasson, Bob Lemon, Paul Lindblad, Ron Davis, Del Alston, Yogi Berra, Gene Michael, and Clyde King. Smith 15606. With a list of signers laid in, along with two advertisements for Baseball Card & Memorabilia shows.

Interior fine, boards lightly rubbed; dust jacket with only very mild toning. A nearly fine copy.

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Aquatint Copperplate process by which the plate is “bitten” by exposure to acid. By changing the areas of the plate that are exposed and the length of time the plate is submerged in the acid bath, the engraver can obtain fine and varying shades of gray that closely resemble watercolor washes. Although the name contains the word “tint”, this is a black-and-white printing process; aquatint plates can often be hand colored, however.
Armorial Used to describe a binding bearing the coat of arms of the original owner, or with bookplates incorporating the owner’s arms.
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Boards Hard front and rear covers of a bound book which are covered in cloth, leather or paper. “Original boards” refers to cardboard-like front and back boards, from about 1700 to 1840, used as temporary protection for books before their purchasers would have them bound. Of particular value to collectors as evidence of a very early form of the book.
Book-Plate Label, generally affixed to the front pastedown, identifying a book’s owner.
Broadside Sheet printed on one side, typically for public display, usually larger than folio size (a folio being a broadside-size sheet printed on both sides and folded once, to make four pages).
Calf Binding material made from cowhide—versatile, durable, usually tan or brown in color, of smooth texture with no or little apparent grain. Readily marbled (“tree calf”), mottled, diced, colored, polished, tooled in gilt or blind, even scented (known as “russia”). Reverse calf, with a distinctive suede-like texture, is occasionally used.
Chromolithograph Lithograph printed in colors, typically three or more.
Collation Process by which the contents of a book are inspected for completeness, checking against internal evidence, the table of contents and/or plate list, and reference works. Also a shorthand bibliographical description of a book’s composition by its leaves and signatures, rather than its pages. A-C, for example, would indicate a quarto volume composed of three signatures or gatherings of eight pages each for a total of 24 pages.
Colophon Printed note at the end of a text containing information about the printing of the book.
Doublure Pastedowns made not of paper but of leather, for decorative purposes.
Duodecimo (12MO) Smaller than an octavo, typically less than six inches tall; smaller formats, such as 24mo and 32mo, are uncommon.
Edition Print-run from a single setting of type without substantial change. Depending on demand, any number of printings can be made from a setting of type For example, a first printing might consist of 1000 copies, followed by a second printing of 2500 copies; in which case the book would have a first edition, first printing of 1000 copies, and a first edition, second printing of 2500 copies.
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Errata List of mistakes and corrections noted after printing, often compiled on a separate sheet or slip and inserted into the text block.
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Incunable From the cradle of printing, i.e., any book printed before 1501.
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Wood-Engraving Engraving made with the graver or burin on the cross-section of a piece of boxwood; the harder wood and finer tools allow for more delicate, finely detailed images, while the block can still be set in the page alongside text and printed on the same stock as the text. While much older, wood engravings enjoyed an important renaissance in the late eighteenth century through Thomas Bewick and continued in popularity thorugh the nineteenth century.
Wormhole Tiny pinhole-sized trails left by bookworms as they eat through a text block. Much more common in older books printed on handmade papers with a high rag content than in books printed on manufactured papers made from wood pulp with a higher acidic content.
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